
The exhibition
PRETEND EDEN, FOR A WHILE CHAOS
In the center of a room sits a circular table reminiscent of those used by major corporate and diplomatic bodies. Around it, charred chairs bear witness to a fateful event. On the wall in front, a screen shows a sequence shot of the same table, with eight people staring at each other defiantly, smiling tightly and in impassive moods. Little by little, tempers flare and flare up. Outside, it's war and chaos. Yet everyone acts as if nothing has happened: no fire, no flame. The camera rises, revealing an unusual place, the bunker of the hotheads.
In the piece, the table is a living sound space, in tune with the video image. Fictitious official flags surround the table and are lined up on the building's outer facade, imposing their dubious ideologies under virtuous, ceremonial airs. Their compositions amalgamate references to the mining and military industries, banking and religious institutions, and the geopolitical conflicts that mark our times.
INTERVIEW WITH THE ARTIST
ABOUT THE ARTIST
MARTIN BUREAU
A multidisciplinary artist, Martin Bureau uses painting, documentary film and video installation to explore geopolitical and environmental issues. Through his work, he stages the Anthropocene as a foretold catastrophe, translating our excesses into a poetics of disaster.
Photo credit: Guillaume D. Cyr
Photo credit: Guillaume D. CyrTHEMATIC PROGRAMMING 2025
ART ON THE EDGE OF CHAOS
For its 2025 program, EXMURO's Aire publique becomes the stage for artistic explorations in which humans are subjected to the powerful impulses of natural forces. Works by Pipilotti Rist (Switzerland), Isaac Cordal (Spain) and Martin Bureau (Quebec) subvert norms and reinterpret our assumptions, confronting the insidious forces of capitalism, patriarchy and the climate crisis. Sharing critical visions of the world, the three artists invite us to become collectively aware of the urgency to act, and remind us that every collapse holds the promise of renewal.
PARTNERS
The EXMURO public area is supported by the Royal Square Enhancement and Animation Fund, administered by the Museum of Civilization.






















